Combine Modeselektor’s grimy, pirate radio sounding music with Apparat’s elegant minimalism and you get a slightly schizophrenic line-up called Moderat. Easily one of the best albums of 2009, Moderat is a nice fusion of seemingly opposing aural aesthetics. And you really have to give it more than one listen to appreciate the dark layers and graceful subtlety in the background.
Warp Records are asking fans to vote for the tracks they want to see in the upcoming 20th anniversary Warp compilation. I’ve already voted for Aphex Twin’s Alberto Balsam and Squarepusher’s Port Rhombus…
I’ll be the first to admit that I have been quite a rabid U2 fan ever since I bought Achtung Baby in 1992. The alarming enthusiasm I had for U2 started ebbing away with All That You Can’t Leave Behind. Here I am nine years later, struggling to locate my fan pulse with No Line On The Horizon.
U2 are still excellent musicians and the production values for this album are not bad. But with the songwriting, Bono seems a spent force. Brian Eno and Daniel Lanois are credited with writing some of the material and Bono, once the poet, is now singing about OS X (“Force quit! Move to trash” is an actual lyric) and reflecting on ATM machines.
There were days when people discussed about other bands trying to be like U2. With this album (including the album photography), U2 seem to be trying to be like themselves from their glorious Achtung days. They are some good tracks (Magnificent lives up to its title) and some great moments on No Line On the Horizon but the sophisticated songwriting is just nowhere to be seen.
As my once favourite lyricist penned many years ago — “Look, I gotta go, yeah I’m running outta change / There’s a lot of things if I could I’d rearrange”.
You could describe Brian Eno’s 1978 ambient album Music For Airports a masterpiece or a classic. You could lavish it as being seminal or quintessential. You could also say it was groundbreaking and extremely accessible. It is a lot of things, but you just shouldn’t spend too much time trying to describe it. You just have to listen to it, hear it and feel it for yourself.
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My name is and I just learned that the hash sign is also known as an octothorp. It's exactly this kind of unnecessary information works its way into conversations that scares people away from me. Not that I am really complaining though…
“…so let it go, and so fade away…”
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