[The] last time AC/DC made No 1 in Britain, the country was on the brink of recession. Back In Black, the album that marked their commercial breakthrough and went on to become the second biggest-selling of all time, was released in 1980, just as inflation had reached 20% and unemployment inched towards 2 million.
›› The Guardian analyses the timings of AC/DC’s chart successes
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Jim Hance does some awesome paintings that blends pop culture icons and parody art (or “twisted art” in the artist’s own words). Stormtrooper Fields Forever is my current favourite though his other works are equally impressive. I’d love to buy one of his pieces one day for my home for sure, and they are very affordable too.
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You could say that if Definitely Maybe was their Stone Roses, Dig Out Your Soul is their Second Coming. It won’t win them any new fans, but those that believed the truth last time will dig this.
›› The Observer reviews the new Oasis album
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With all the money they made, I suppose the Arctic Monkeys‘ Alex Turner could do whatever the hell he felt like doing. And so maybe he decided to gang up with his friend Miles Kane, start a side project called The Last Shadow Puppets and release a ballsy and ambitious album titled Age of the Understatement that would pay homage and draw inspiration from retro ‘orchestral’ pop music.
Despite the arrangements sounding somewhat familiar (maybe nostalgic is the right word here), the sweeping strings, fulsome percussions and great energy make this a very, very good album. Already I am thinking this should be one of the best albums of the year.
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For a band that gave us seminal classics like 1991’s Screamadelica, 1997’s Vanishing Point and 2000’s epochal XTRMNTR, it was quite hard to believe Primal Scream could come up with total crap two years ago, which they titled Riot City Blues. I was really hoping they would have recovered that hard edge and done something new with their newest album, Beautiful Future.
But alas, it’s another derivative, boring and patchy effort from a bunch of guys who seem to have lost their edge. With the exception of one or two well-produced tracks (like the very groovy Uptown), most of the album is just despondently disappointing.
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What made this song so awesome in 1990? The mullets? The high cut shoes? The awful freestyle dancing?
It’s all so gross now that I look at it again.
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Nobody seems to like The Kooks: the critics like to tear into them and one of their contemporaries said The Kooks make “music for girls”.
But don’t let all that distract you. The new album Konk is fantastic, a great follow up to their excellent debut album Inside In/Inside Out. Their music is very breezy, poppy and happy. Admittedly, there’s some cringe-worthy songwriting in there (”A B C D E F and G, That reminds me at when we were free”) but it’s really a very enjoyable album. Great quality all round, with “Sway” being one of the stand out tracks.
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That must be one bloody tiring way of starting the day.
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Amazing! Well done, NASA!
Send my love to the aliens. All the best…
›› Sir Paul McCartney is just thrilled, isn’t he.
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